The performance consists of the following: in a large (12m x 10m x 4m) darkened hall, there is a long, thin table (5.4m long and 60cm wide). I sit at one end of the table, and members of the audience are invited to take turns sitting at the other end of the table, with a small spotlight aimed at both parties. In front of each of us is a digital camera turned towards the seated party, a small pen (micron 005), and fluid and paper for cleaning the camera lens. The cameras are attached to video projectors, which are mounted underneath the table, and project the images from both cameras side by side, with a small overlapping area, onto an adjacent wall to the size of 4.4 m x 3m. We both draw directly on the lenses of the cameras, with the images projected onto the adjacent wall. As the camera is aimed toward each person’s face, the lens drawing appears on top of the person’s face, showing a linear structure of each person’s thoughts, which are amplified by the projection. It is through the projection that the parties become connected; as their drawings overlap by one meter, one can interfere with the projected space of the other. The participants can see the ongoing results of their drawing through the camera’s small viewing screen, which is turned towards the participant. The camera is permanently on auto-focus. Each participating audience member can stay at the table for as long as they want. On the table there are instructions for the participants. The participants become part of the piece by sharing authorship. Once they leave the table, they again become part of the passive audience, and may observe another person occupying the same role and place at the table. The length of the table prevents verbal communication. The distance between myself and the participant is emphasized by the long and narrow dimensions of the table, which is related with the traditional scenario of the intimate moment of a couple at the dinner table - they have a special complicity that operates without words, but by visual cues. The communication, therefore, is created through the visual elements of the projection, the self-portrait made of a "drawing mask." My presence, as the artist, seated at the table, and having exactly the same material conditions as the audience member/participant, is an important clue to the rest of the viewers.